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Gwybodaeth Lyfryddol
French and Francophone Studies: French Fiction into the Twenty-First Century - The Return of the Story
Simon Kemp
ISBN: 9780708322734 (0708322735)Dyddiad Cyhoeddi Rhagfyr 2010
Cyhoeddwr: Gwasg Prifysgol Cymru / University of Wales Press, Caerdydd
Fformat: Clawr Caled, 216x138 mm, 256 tudalen Iaith: Saesneg Allan o Stoc - Archebir yn ôl y galw Ein Pris: £75.00 
Does dim Adolygiad Cwsmer i'r teitl hwn.
 
Ysgrifennwch Adolygiad Cwsmer
Mae'r llyfr hwn yn edrych ar gyflwr presennol ffuglen Ffrengig trwy astudio gwaith pum o'i phrif awduron.

This book explores the current state of French fiction through an examination of the work of five major French writers, viewed in the wider context of the current French literary scene.
Tabl Cynnwys:
Chapter one: Annie Ernaux and the Narrating of Time
Chapter two: Pascal Quignard and the Fringes of Narrative
Chapter three: Marie Darrieussecq and the Voice of the Mind
Chapter four: Jean Echenoz and the Uses of Digression
Chapter five: Patrick Modiano and the Problem of Endings
The Return to the Story
Bywgraffiad Awdur:
Dr Simon Kemp is a Fellow at St. John’s College, Oxford.
Gwybodaeth Bellach:
It evaluates the widely held, but little analysed, notion that there has been a return to more conventional storytelling in the wake of an experimental period in French literary fiction of the 1960s and 1970s.

The book deals with some of the most widely-studied writers on British and American university French courses in an accessible style, while offering a new perspective on recent trends in the French novel and entering forthrightly into current debates on narrative theory.

The aims of the study are three-fold. Firstly, it examines in detail the work of five notable contemporary writers, namely Annie Ernaux, Pascal Quignard, Marie Darrieussecq, Jean Echenoz and Patrick Modiano. It uncovers the characteristics and uses of narrative form in these novelists’ work, exploring the relationship between form and subject-matter, and comparing their practice to that of mid-twentieth-century experimentalists. Secondly, the study inserts its writers into the broader context of turn-of-the-century French writing, from Amélie Nothomb and Daniel Pennac to François Bon and Marie NDiaye. Finally, the project’s focus on narrative form allows it a more significant scope over the fiction of the period than other, less clearly defined studies have achieved.
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