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Gwybodaeth Lyfryddol
Gothic Literary Studies Series: Queer Others in Victorian Gothic - Transgressing Monstrosity
Ardel Haefele-Thomas
ISBN: 9780708324646 (0708324649)Dyddiad Cyhoeddi Chwefror 2012
Cyhoeddwr: Gwasg Prifysgol Cymru / University of Wales Press, Caerdydd
Fformat: Clawr Caled, 216x138 mm, 224 tudalen Iaith: Saesneg Archebir yn ôl y galw Pris Llawn: £90.00 
Ein Pris: £19.99 
Rydych yn Arbed: £70.01 (77.8%)   
Does dim Adolygiad Cwsmer i'r teitl hwn.
 
Ysgrifennwch Adolygiad Cwsmer
Archwiliad o groestoriadau mewn theorïau Gothic, diwylliannol, rhywiol, economaidd-gymdeithasol ac ôl drefedigaethol fel y'u hadlewyrchir mewn portreadau o rywioldeb, cenedl, dosbarth a hil yn llenyddiaeth Prydain yn y bedwaredd ganrif ar bymtheg.

This book explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race.
Tabl Cynnwys:
Chapter One: Introduction
Chapter Two: The Spinster and the Hijra: How Queers Save Heterosexual Marriage in Wilkie Collins’s The Woman in White and The Moonstone
Chapter Three: Escaping Heteronormativity: Queer Family Structures in Elizabeth Gaskell’s Lois the Witch and ‘The Grey Woman’
Chapter Four: Disintegrating Binaries, Disintegrating Bodies: Queer Imperial Transmogrifications in H. Rider Haggard’s She
Chapter Five: ‘”One Does Things Abroad That One Would Not Dream Of Doing In England”’: Miscegenation and Queer Female Vampirism in J. Sheridan Le Fanu’s Carmilla and Florence Marryat’s The Blood of the Vampire
Chapter Six: In Defense of Her Queer Community: Vernon Lee’s Coded Decadent Gothic
Bywgraffiad Awdur:
Ardel Haefele-Thomas is a Victorian and Queer Studies scholar who currently holds the position of Chair of Lesbian, Gay, Bisexual and Transgender Studies at City College of San Francisco.
Gwybodaeth Bellach:
From mid-century authors like Wilkie Collins and Elizabeth Gaskell to fin-de-siècle writers such as J. Sheridan Le Fanu, Florence Marryat and Vernon Lee, this study examines the ways that these Victorian writers utilized gothic horror as a proverbial ‘safe space’ in which to grapple with taboo social and cultural issues. This work simultaneously explores our current assumptions about a Victorian culture that was monolithic in its disdain for those who were ‘other’.
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