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Dod o Hyd i Siop Lyfrau
 
Mewngofnodi
 
Cofrestru
Gwybodaeth Lyfryddol
Gothic Literary Studies: The Fantastic and European Gothic - History, Literature and the French Revolution
Matthew Gibson
ISBN: 9780708325728 (0708325726)Dyddiad Cyhoeddi Ionawr 2013
Cyhoeddwr: Gwasg Prifysgol Cymru / University of Wales Press, Caerdydd
Fformat: Clawr Caled, 216x138 mm, 272 tudalen Iaith: Saesneg Allan o Stoc - Archebir yn ôl y galw Ein Pris: £95.00 
Does dim Adolygiad Cwsmer i'r teitl hwn.
 
Ysgrifennwch Adolygiad Cwsmer
Mae'r gyfrol hon yn dryllio delwau, ac yn herio a newid tybiaethau am y nofel Gothig, gan gyflwyno'r darllenydd Prydeinig ac Americanaidd i weithiau anghyfarwydd sy'n gystadleuwyr teilwng i weithiau llenorion megis Radcliffe, Lewis a Stoker.

This iconoclastic book challenges and changes accepted opinions about the Gothic novel, and will introduce the British and American Reader to works hitherto unknown to them, but rivals in quality to the works of writers like Radcliffe, Lewis and Stoker.
Tabl Cynnwys:
Introduction
1) Fantasy and Counter-Revolution in the Theory and Fiction of Charles Nodier.
2) History and Politics in the Fantastic Fiction of Hoffmann, and his Reception in France.
3) The Double Life of the Artist in the Récits fantastiques of Théophile Gautier, and the Rejection of Bourgeois Life under the July Monarchy.
4) ‘A Life in Death a Death in Life’: the Legitimist Novels of Paul Féval and the Catastrophe of the Second Empire.
5) Paul Féval’s Le Chevalier Ténèbre and Le Fanu’s ‘The Room in the Dragon Volant’: the Failures of the Bourbon Restoration.
6) Robert Louis Stevenson’s ‘Olalla’, The Strange Case of Dr Jekyll and Mr Hyde and the Refutation of Utilitarian Morality.
Conclusion.
Bywgraffiad Awdur:
Matthew Gibson was until recently teaching Polish translation at the University of Hull, but is currently Associate Professor of English Literature at the University of Macau.
Gwybodaeth Bellach:
This book examines the rise of Fantastic literature on the continent in the nineteenth century, the development of a European Gothic and the influence which this exerted on British writers. By examining writers like Nodier, Hoffmann, Gautier, Féval and Stevenson, the book argues firstly how their writings subvert entirely the view of the Fantastic accepted by Todorov, Punter and others, to show that it is the reversal of a pre-Enlightenment, spiritual world-view which causes terror in these works, and further demonstrates that Gothic novels frequently use allusion and anachronism to portray a cyclical view of history opposed to that of Scott.
Mae'r teitl yma yn y categori a/neu is-gategori canlynol:
Does dim Adolygiad Cwsmer, hyd yma, i'r llyfr hwn.
 
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