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Gwybodaeth Lyfryddol
Gothic Literary Studies: Female Gothic Histories
Diana Wallace
ISBN: 9780708325742 (0708325742)Dyddiad Cyhoeddi Chwefror 2013
Cyhoeddwr: Gwasg Prifysgol Cymru / University of Wales Press, Caerdydd
Fformat: Clawr Caled, 216x138 mm, 272 tudalen Iaith: Saesneg Allan o Stoc - Archebir yn ôl y galw Ein Pris: £80.00 
Does dim Adolygiad Cwsmer i'r teitl hwn.
 
Ysgrifennwch Adolygiad Cwsmer
Astudiaeth arloesol, newydd o'r modd y defnyddiodd llenorion benywaidd ffuglen hanesyddol Gothig i symboleiddio ac i wrthweithio'r gwaharddiad i ferched gyfrannu at draethiadau hanesyddol traddodiadol.

Female Gothic Histories: Gender, History and the Gothic is an innovative new study of the ways in which women writers have used Gothic historical fiction to symbolise and counter their exclusion from traditional historical narratives.
Tabl Cynnwys:
1 Introduction
2. The Murder of the Mother: Sophia Lee’s The Recess (1783-5)
Coda: The daughter’s story: Ann Radcliffe and the Female Gothic
3. Be-witched and Ghosted: Elizabeth Gaskell’s Gothic historical tales
4. Puzzling over the Past: Vernon Lee’s fantastic stories
5. Displacing the Past: Daphne du Maurier and the modern Gothic
6. Queer as History: Sarah Water’s Gothic historical novels
Afterword
Bywgraffiad Awdur:
Diana Wallace is Professor of English Literature at the University of Glamorgan. She is the author of The Woman’s Historical Novel (2005) and Sisters and Rivals in British Women’s Fiction, 1914-39 (2000).
Gwybodaeth Bellach:
Female Gothic Histories traces the development of women’s Gothic historical fiction from Sophia Lee’s The Recess in the late eighteenth century through the work of Elizabeth Gaskell, Vernon Lee, Daphne du Maurier and Victoria Holt to the bestselling novels of Sarah Waters in the twenty-first century. Often left out of traditional historical narratives, women writers have turned to Gothic historical fiction as a mode of writing which can both reinsert them into history and symbolise their exclusion. This study breaks new ground in bringing together thinking about the Gothic and the historical novel, and in combining psychoanalytic theory with historical contextualisation.
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