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Gwybodaeth Lyfryddol
Gothic Literary Studies: George Eliot and the Gothic Novel - Genres, Gender, Feeling
Royce Mahawatte
ISBN: 9780708325766 (0708325769)Dyddiad Cyhoeddi Mawrth 2013
Cyhoeddwr: Gwasg Prifysgol Cymru / University of Wales Press, Caerdydd
Fformat: Clawr Caled, 216x138 mm, 288 tudalen Iaith: Saesneg Allan o Stoc - Archebir yn ôl y galw Ein Pris: £80.00 
Does dim Adolygiad Cwsmer i'r teitl hwn.
 
Ysgrifennwch Adolygiad Cwsmer
Mae Royce Mahawatte yn cynnig beirniadaeth gymharol o'r adegau arswydus, syn a melodramataidd yng ngweithiau George Eliot ac o enghreifftiau tebyg mewn nofelau Gothig a ias, gan ddadlau bod plotiau llawn tyndra, trosiadau a chymeriadau Gothig yn rhan o ddyheadau Eliot parthed y nofel Fictorianaidd.

Royce Mahawatte critically compares the frightening, startling and melodramatic moments in George Eliot's fiction with excerpts from Gothic and sensation novels and in doing so argues that suspenseful plotting, and Gothic figures and tropes, play a role within Eliot's ambitions for the Victorian novel.
Tabl Cynnwys:
Introduction: ‘half-womanish, half-ghostly’- George Eliot and the inheritance of the Gothic
Part one: reimagining the genres of feeling
1. ‘there was a demon in me’: ‘Janet’s Repentence’ and the evangelical Gothic
2. ‘with two names written on it’: sensation narratives in Adam Bede
3. ‘of one texture with the rest of my existence’: ‘The Lifted Veil’ and the tale of the supernatural
Part two: uncanny women, fearing men
4. Counterfeit Gothic heroines in The Mill on the Floss and Middlemarch
5. Romola and Felix Holt, The Radical: the pursuit of Gothic men
Finale: Daniel Deronda - sensationalised society, gothicized self
Bywgraffiad Awdur:
Royce Mahawatte is Lecturer in Cultural Studies at Central Saint Martins, University of the Arts, London.
Gwybodaeth Bellach:
George Eliot and the Gothic Novel is the first monograph to systematically explore George Eliot’s relationship to Gothic genres. It considers the ways in which the author’s ethics link to sensational story-telling tropes. Reappraising the major works of fiction, this study compares passages of Eliot’s writing with sequences from eighteenth and nineteenth-century Gothic works. Royce Mahawatte examines Eliot’s deployment of, for example, the incarcerated heroine in Middlemarch, doppelgangers in Romola and vampiric queerness in Daniel Deronda. In doing so he lifts Eliot from the boundaries of social realism and places her within a broader and richer Victorian literary scene than has been previously considered.
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