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Bibliographical Information
Writing Wales in English: In the Shadow of the Pulpit - Welsh Writers and Welsh Nonconformity
M. Wynn Thomas
ISBN: 9780708322253 (0708322255)Publication Date March 2011
Publisher: Gwasg Prifysgol Cymru / University of Wales Press, Cardiff
Format: Paperback, 216x138 mm, 320 pages Language: English Available Our Price: £24.99 
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Ranging from the nineteenth century to the present, this book explores several central aspects of the ways in which the English-language poetry and fiction of Wales has responded to what was, for a crucial period of a century or so, the dominant culture of Wales: the culture of Welsh nonconformity.

Cyfrol sy'n edrych ar gynnyrch llenyddol o'r bedwaredd ganrif ar bymtheg hyd y presennol, sy'n ymateb i ddylanwad Anghydffurfiaeth Gymreig.
The nonconformist religion has had a tremendous influence on Welsh life, culture and literature. The latter is not always given due recognition but, in terms of Welsh writing in English, this gap is now filled by Professor Thomas’s ground-breaking work of scholarship. Nothing on this scale has appeared previously. Following a personal introduction on the significant aspects of chapel culture, the author then proceeds to explore the ways in which nonconformity developed in the eighteenth century.

The author’s mastery of his subject is equally demonstrated, as one would expect, in what he has to say about major Welsh writers in English from the twentieth century. Here the reader will encounter, among others the enfant terrible of the pulpit Caradoc Evans, as well as Rhys Davies, Glyn Jones, Gwyn Thomas, Wyn Griffiths, T. Harri Jones and Dylan Thomas.

I was pleased to find the novels of Siân James coming under very favourable scrutiny for portraying life in a Welsh-speaking community with rare honesty. Many readers will find the treatment of R. S. Thomas of immense interest.

Here is a volume of key importance which deserves a wide readership.

Dewi Roberts

It is possible to use this review for promotional purposes, but the following acknowledgment should be included: A review from www.gwales.com, with the permission of the Welsh Books Council.

Gellir defnyddio'r adolygiad hwn at bwrpas hybu, ond gofynnir i chi gynnwys y gydnabyddiaeth ganlynol: Adolygiad oddi ar www.gwales.com, trwy ganiatâd Cyngor Llyfrau Cymru.
Table of Contents:
Preacher’s World
1 A bluffer’s guide to Welsh Nonconformity
2 The Nonconformist century
3 Bringing Nonconformity to book
Writer’s World
4 War of words: the preacher and the writer
5 Spoiled preachers
6 Wales BC
Individual Worlds
7 ‘Marlais’: Dylan Thomas and the ‘tin Bethels’
8 ‘Fucking and forgiveness’: the case of Glyn Jones
9 ‘Solid in goodly counsel’: the chapels write back
Author Biography:
M. Wynn Thomas is Professor of English and Director of the Centre for Research into the English Literature and Language of Wales at Swansea University. He has written twenty books in both English and Welsh on English and Welsh-language literature of Wales and on American Poetry.
Further Information:
‘This is a crucially important analysis that should blaze a trail for succeeding generations to discover paths not only through the wilderness of their world but also their own selves. As I did as I read. Matters became clear which had been little more than a mist of intuition.’
Emyr Humphreys

‘Today it requires an exceptional effort of patient scholarship and historical empathy to convey how profoundly the thoughts, words, habits, and deeds of those who lived only a generation or so ago were shaped by religious influences–often never more so than when they sought to rebel against them. In this new history of the Welsh dissenting culture and its impact on major Anglo-Welsh writers, Professor Thomas eloquently and convincingly demonstrates how crucial its influence was. Anyone seriously interested in what the "Protestant imagination" was and for many actually still is will find great value in his insights, whose horizon extends across the Atlantic as well as through the centuries of Welsh history and literature from the Reformation to the mid-twentieth century.’
Lawrence Buell, Harvard University
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