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Bibliographical Information
Dovetail
Jeremy Hughes
ISBN: 9780956012531 (0956012531)Publication Date May 2011
Publisher: Alcemi, Tal-y-bont
Format: Paperback, 215x140 mm, 200 pages Language: English Available Our Price: £9.99 
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Attacked as a boy by bullies, Tim is left with the most serious loss he will face as a man. As a man he is out to revenge himself one by one on the gang by enacting the perfect murder. But first of all he must become a supreme craftsman. A psychological thriller, set in Spain and south-east Wales, on obsession and the far-reaching evils of perfectionism.

‘I knew I’d be back when I had acquired the skills I needed. I would organise reunions which, as far as I knew, had never taken place around here. There was no need for them. Everyone knew where everyone else was ...’

In 1978, Tim, a nervy, egg-collecting, south-Wales teenager, is brutalised during an attack of bullying that gets out of control. Understandably, he becomes the only member of his peer group who chooses to leave his home area as soon as possible. Bull, Dog, Ev and Napper, the bullies, all remain and go on to live lives of varying degrees of unsuccess.

But, in this debut novel by Jeremy Hughes, Tim’s escape to Spain and the adoption of a new identity is for the sole purpose of planning and preparation – for his bloody return. When Sebastian, a solipsistic monster is born, abused and abusers are set to switch roles.

The story of the revenge he visits on his former tormentors is dark stuff indeed, told using a series of literary devices. Will the reappearance of Elena, his lost love, be allowed to complicate the murderous trajectory of Dovetail’s plot? Or Stacy, the beautiful American who seems, for some unexplained reason, to have fallen in love with him? For a sociopath, Tim/Sebastian proves to be that rarity in modern fiction, an almost reliable narrator, while descriptions of techniques and materials used in the construction of the killing machine expose his maniacal belief in the primacy of detail.

For such a remorselessly male-centric novel, Hughes’s final twist is delivered, therefore, by a surprising agency.

Gee Williams


It is possible to use this review for promotional purposes, but the following acknowledgment should be included: A review from www.gwales.com, with the permission of the Welsh Books Council.

Gellir defnyddio'r adolygiad hwn at bwrpas hybu, ond gofynnir i chi gynnwys y gydnabyddiaeth ganlynol: Adolygiad oddi ar www.gwales.com, trwy ganiatâd Cyngor Llyfrau Cymru.
Author Biography:
Jeremy Hughes was one of the first students to study for the Master’s in writing at Oxford University, from which he graduated with distinction. He was awarded first prize in the Poetry Wales competition and his poetry was shortlisted for an Eric Gregory Award. He has published two pamphlets – breathing for all my birds (2000) and The Woman Opposite (2004) – and has widely published poetry, short fiction and reviews in British and American periodicals.
Further Information:
“A subtly daring format and an easy, hypnotic style, at once tense and uncommon.”
John Ballam, Oxford University
Last Updated on 25 May 2011
Fifteen year old Tim’s world changes for ever when he is attacked and emasculated by a gang of bullies. As an adult, devoting himself to revenge, he is repellently creative, a fine craftsman in everything he does, including murder. Having apprenticed himself to José, a master joiner and craftsman in northern Spain, he becomes acutely aware of the aesthetics of the world around him and turns revenge into a fine art as he returns to his home turf in south-east Wales to single out each gang member for their grisly fate. Tim also becomes obsessed with fine art images of Saint Sebastian, and even changes his name to that of the martyr. But can he create the perfect killing machine from wood and dovetail joints, and how much practice does he need before he achieves his goal?

This is a disturbing psychological thriller with a sociopath of a protagonist to rival that of American Psycho, and an erotic undercurrent matching The Wasp Factory. The debut novel’s main themes are obsession and the far-reaching evils of perfectionism, and its style is original, marrying suspenseful prose with fragmented narratives on woodwork techniques.

Jeremy Hughes comments on the challenges of creating a killer-protagonist with whom the reader can empathise, “Tim is at one and the same time an obsessive victim, vulnerable, tortured, aggrieved, triumphant... he is a sensitive teenager changed forever by a traumatic event. He dedicates his life to revenge, develops specific skills which enable him to enter into the lives of those he wants to kill. He identifies with Saint Sebastian and travels the world visiting works of art which depict him. His obsessions cause him to speak about his interests with authority. Leaving modesty aside a moment, in Tim we have a complex central character capable of tenderness and extreme brutality; this together with the book’s exotic locations and opportunities for great set pieces would make it a great cinematic experience.”

Jeremy Hughes was one of the first students to study for the Master's in writing at Oxford University, from which he graduated with distinction. He was awarded first prize in the Poetry Wales competition and his poetry was shortlisted for an Eric Gregory Award. He has published two pamphlets – breathing for all my birds (2000) and The Woman Opposite (2004) – and has widely published poetry, short fiction and reviews in British and American periodicals. Jeremy lives in Abergavenny, south-east Wales. Dovetail is his debut novel.
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